Thursday, September 11, 2014

The Actors of Back to the Future (1985)


The movie Back to theFuture was an instant classic and remains one of the great cinematic achievements today.  An excellent story, convincing effects, and brilliant acting all helped to make the movie what it was.  The stellar cast included big personalities, relative newcomers (at the time), and well respected if lesser known actors.  One interesting element in this film, like many other great movies, is the unique amalgamation of differing styles and personalities.  Three very good examples include Michael J. Fox in the lead role of Marty McFly, Christopher Lloyd as Marty’s friend and mentor Dr. Emmett Brown, and Crispin Glover in the role of Marty’s father George McFly.

Michael J. Fox could best be described as a personality actor.  Goodykoontz & Jacobs (2011) describe personality actors as those who essentially portray versions of themselves on screen.  Fox has starred in some fairly diverse roles throughout his film career including such titles as The Frighteners, Doc Hollywood, and Teen Wolf (Internet Movie Database, 2014).  His roles, whether portraying a cursed teenager, an out of his element doctor, or what have you, have certainly varied; but in every case, we still essentially see the same character, the same mannerisms, and the same person.

Playing opposite Fox in Back to the Future, Christopher Lloyd, too shares some of the traits of a personality actor; however, he fits more comfortably into the category of character actor.  A character actor is able to assume a wide variety of different character types (Goodykoontz & Jacobs, 2011); one might say this type of actor becomes the person he/she is portraying.  While Lloyd certainly has some distinctive characteristics that might better fit the description of personality actor, his tendency toward highly animated movement and his raspy voice, for example; he is very much a character actor, assuming diverse personalities across varying roles and movie genres.  In Back to the Future, Lloyd’s character is an eccentric and reclusive genius who has invented a means of time travel.  His behaviors are erratic and animated, he flies from thought to thought, often rambling wildly, and yet he conveys someone who really does know his stuff.  He fits seamlessly into this role.  Contrast this with his other works, and it becomes even clearer that he is a very flexible talent.  In one of his early film roles, as Taber in One Flew Over the Cuckoo’s Nest, Lloyd actually lived in a mental asylum to prepare for his role and adopted traits of the inmates in his portrayal (Internet Movie Database, 2014).  This is quite a departure from eccentric inventor!

Most interestingly, though, playing the role of George McFly is a true wildcard and character actor, Crispin Glover.  Character actors are often hard to place; even those who are in high demand may be difficult for audiences to immediately recognize (Goodykoontz & Jacobs, 2011) due to the diverse nature of their portfolios.  Such is the case for Crispin Glover, who is a highly respected and critically acclaimed actor with an almost cult-like following (Internet Movie Database, 2014).  Glover perfectly encapsulates the awkward outcast, the bullied teenager turned downtrodden husband.  The discomfort and nervousness George feels when speaking to his high school crush and eventual wife is almost palpable.  We cringe with George when his seemingly lifelong nemesis Biff calls his name (see Clip 1).  Glover so perfectly embodies George’s awkwardness, that his end of movie evolution into a successful and self-confident author seems all the more breathtaking.


Clip 1


Though Crispin Glover leans toward the eccentric and awkward, he is anything but a one size fits all actor.  From quiet recluse, to angry demon, to maniachal lunatic, Glover has embodied all nature of character type and personalities.  His acting credits include a wide range of genres from little known independent efforts like his role as Bartleby in the movie Bartleby (Internet Movie Database, 2014), large scale blockbusters like Beowulf in which he portrays the demon Grendel (Internet Movie Database, 2014), and even animated works like 9 where he voices character #6 (Internet Movie Database, 2014).  His characters are all over the map creatively, in one role a demented maniac (see Clip 2) and in another a reckless showoff (see Clip 3).  Indeed, Glover is the epitome of the wildcard character actor.


Clip 2

Clip 3




References:

Best Movie Quote. (2014). Hot Tub Time Machine (3/8) Best Movie Quote – One Armed Phil (2010) [Video file]. Retrieved from https://www.youtube.com/watch?v=VbgwNS0s1Is

Goodykoontz, B., & Jacobs, C.P. (2011). Film: From Watching to Seeing. (Ashford University ed.). San Diego, CA: Bridgepoint Education, Inc.

Internet Movie Database. (2014). Back to the Future. Retrieved from http://www.imdb.com/title/tt0088763/?ref_=nv_sr_1

Movieclips.com. (2014). Jingle Dell [Video file]. Retrieved from http://movieclips.com/uS2nL-wild-at-heart-movie-jingle-dell/


Movieclips.com. (2014). You’re George McFly! [Video file]. Retrieved from http://movieclips.com/YNZnz-back-to-the-future-movie-youre-george-mcfly/



Wednesday, September 3, 2014

The Sounds of Star Wars: Episode IV

Arguably one of the most revolutionary movies of its time, Star Wars: Episode IV hit theaters in May of 1977 (Internet Movie Database, 2014) and forever changed the landscape of Science Fiction and Fantasy.  The story was engaging and action packed, the visual effects stretched the imaginations of moviegoers everywhere; but it was the sound that truly made this movie an instant classic.  Few would dispute the importance of sound in cinema.  Sound, after all, tells the story, moves the plot, and heightens the emotional impact of a scene.  Without sound, scary scenes would be less scary, romantic climaxes less climactic, and movies just not so moving.

There are three important elements of sound in any movie.  Most obvious, of course, is dialog.  Dialog is simply characters talking to one another or to the viewer (Goodykoontz & Jacobs, 2011).  When dialog is used effectively, it helps to develop plot, it expands on characterizations, and it provides information that the audience needs to understand the movie (Goodykoontz & Jacobs, 2011).  

In an early scene in Star Wars IV, as seen here in Clip 1, dialog reveals a great deal to the viewer.  We learn about the development of a battle station by the Empire, we hear of mysterious lost/stolen plans laying the groundwork for events to come, and we are even introduced to the mystical powers of the Force.  All of this would have been unimaginably difficult to convey without the use of dialog.

Clip 1:



Sound effects help to bring the story to life by audibly depicting various movements and actions on the screen.  These can be as mundane as the sound of footsteps as characters walk, or the background noise of a crowded restaurant.  Sound effects might also be major elements like explosions, or they might even imagine the sound made by something that doesn’t in reality exist.  In Star Wars IV, we experience all of these elements from the clanking boots of marching stormtroopers to the alien backgrounds of an intergalactic bar.  We also hear what it sounds like when a space ship accelerates away from dock (or at least what George Lucas believes that would sound like).  

Possibly the most iconic of sound effects is that of the light saber depicted here in Clip 2.  Imagine how different this scene might have been if light sabers made the sound of swords crashing together.  Would we still now, over 35 years later, still recognize that sound?

Clip 2:



Finally, music is also employed in movies in a number of ways.  Music may be used as background for scenes in a movie to help set a mood, it may be used to help move the story, or it may act as a characterization of the film or as a theme.  “Some scores actually prove so important to a film that they become well-known themselves” (Goodykoontz & Jacobs, 2011, sec. 6.4).

This is very much the case with Star Wars IV.  From the very beginning, as can be seen in Clip 3, the stirring score composed by John Williams sets the tone of things to come.  Imagine, after all, watching the first two minutes of the movie absent the soundtrack.  The score itself is practically a battle hymn of regal proportions.  It tells us without question that we are about to experience war.

Clip 3:




Certainly, Star Wars would not have been Star Wars without the dialog, music, and especially without sound effects.





References:

Edge Adamworth. (2008). Star Wars Episode IV: “I find your lack of faith disturbing”. Retrieved from https://www.youtube.com/watch?v=Zzs-OvfG8tE

Goodykoontz, B., & Jacobs, C.P. (2011). Film: From Watching to Seeing. (Ashford University ed.). San Diego, CA: Bridgepoint Education, Inc.

Indifference1990. (2008). Obi Wan vs Darth Vader Star Wars Episode IV A New Hope. Retrieved from https://www.youtube.com/watch?v=prSHdCOuNeY

Internet Movie Database. (2014). Star Wars: Episode IV – A New Hope. Retrieved from http://www.imdb.com/title/tt0076759/?ref_=nv_sr_2

Lord4SHOT. (2013). Star Wars original opening crawl – 1977. Retrieved from https://www.youtube.com/watch?v=UKRIUiyF0N4